Jimmie Durham

Himmel und Erde müssen vergehen - Jimmie Durham
Three stones (Core Sample from St. Peter´s Cathedral, Core Sample from European Parliment, Bierstein) - Jimmie Durham
Remnant - Jimmie Durham
Six Snake Stones - Jimmie Durham
Late Last Night - Jimmie Durham
A Staff To Mark The Center Of The World, Gwangju Biennale - Jimmie Durham
‘STONE’ SCULPTURE - Jimmie Durham
Home At Last, Home At Last, Home At Last - Jimmie Durham
After Barnett Newman - Jimmie Durham
Untitled - Jimmie Durham
Untitled - Jimmie Durham
Untitled - Jimmie Durham
Untitled - Jimmie Durham
Semi-linear Study #1 - Jimmie Durham
Neodymium Isotope - Jimmie Durham
Non-symmetrical Plagioclase - Jimmie Durham
Painted Self-Portrait - Jimmie Durham
Self-Portrait Pretending to Be Euroman - Jimmie Durham
Self-Protrait with animal - Jimmie Durham
Self-Portrait Pretending to Be Maria Thereza Alves as Terminator - Jimmie Durham
Shiny Self-Portrait - Jimmie Durham
RED, BLEW - Jimmie Durham
JE N’ SAIS QUOI - Jimmie Durham
1948 - Jimmie Durham
1948 - Jimmie Durham
1948 - Jimmie Durham
1948 - Jimmie Durham
1948 - Jimmie Durham
A Meteoric Fall to Heaven - Jimmie Durham
Self-Portrait with Black Eye and Bruises - Jimmie Durham
In seinem künstlerischen Schaffen hat Jimmie DURHAM immer wieder unerwartete Wege gefunden, um mit den westlich geprägten Kunstnormen zu verhandeln und damit das kolonialistische Erbe in der zeitgenössischen Kultur und im gesellschaftlichen Leben zu dekonstruieren. Letztlich ist sein Werk, wie auch sein persönliches Engagement für die Dekolonisierung, eine frontale Kritik am Kolonialismus und seinen zeitgenössischen Varianten.
“Viele Europäer kennen uns nur aus Filmen.  Cherokees, Creeks, Choctaws und Chickasaws stammen von der Atlantikküste und sind seit 400 Jahren kolonialisiert. Schottische Männer kamen schon früh zu uns, daher ist es nicht ungewöhnlich, dass wir schottisch aussehen und blaue Augen haben. Mütterlicherseits gibt es auch afrikanische Mischungen von vor ein paar hundert Jahren. Das zeigt sich bei meiner ältesten Schwester…”

In his artistic work Jimmie DURHAM always invented unexpected ways to negotiate with the West-centric art norms and thereby to deconstruct colonialist heritages in contemporary culture and social life. Ultimately, his work, like his personal engagement with decolonisation activism, is a frontal critique of colonialism and its contemporary variations.
“Many europeans  know of us only through movies. Cherokees, creeks, choctaws and chickasaws are from the atlantic coast and have been colonized for 400 years. Scottish men came in early, so it is not unusual that we look scottish, with blue eyes. from my mother’s side there is also african mixes from a couple of hundred years ago. It shows up in my oldest sister…”

Biography

Jimmie DURHAM was born 1940 in Houston, Texas, USA and studied art in Geneva. He is an artist, poet, author, and political activist. At the same time as his engagement for the rights of indigenous peoples, he developed a sculptural and performative practice. DURHAM lived in Europe since the 1970s and died in 2021 in Berlin.

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