ArtVilnius 2026 | Hall 3, Booth 3.01 | October 1 – October 4
Magda CSUTAK | Erwin KNEIHSL | Thilo JENSSEN | Alona RODEH | Maruša SAGADIN | Mathias WEINFURTER | Natalia ZAŁUSKA | Honza ZAMOJSKI
With the concept <<rewind<<, each artistic position is represented with three works. These groupings of three – usually drawn from one work series – serve as concise, focused excerpts from the artist’s practice, making different positions tangible at Christine König Galerie’s booth at ART VILNIUS 2026.
At the intersection of mathematical systems, material, and perception, Magda CSUTAK (b. 1945, Rumania) works with numbers and geometric forms, translating them into verious materials such as graphite and porcelain. Repetition becomes a means of testing how abstract systems can take on a physical and visual form.
Working almost exclusively with analogue black-and-white photography, Erwin KNEIHSL (b. 1952, Austria) transforms recurring motifs – architecture, suns, mannequins, or abstract structures – through strong contrasts, grain, and blur. Developed by the artist in the darkroom and mounted by hand, each photograph becomes a unique object despite photography’s inherent reproducibility.
Through a process of accumulation and construction,Thilo JENSSEN (b. 1984, Germany) builds his works by welding individual pieces of metal onto a metal frame. The repeated act of joining fragment to fragment creates dense, layered structures in which the traces of their making remain visible, oscillating between deliberate construction and an almost organic appearance.
Drawing on the visual language of urban infrastructure and safety systems Alona RODEH (b. 1979, Israel) transforms functional materials and familiar signals into sculptural objects. Through repetition and recontextualization, elements associated with protection, control, and visibility are detached from their original purpose and become part of a new spatial vocabulary.
Recurring elements of architecture, street furniture, and public space form the starting point for Maruša SAGADIN’s (b. 1978, Slovenia) sculptural practice. By enlarging, repeating, and altering familiar structures, she questions the conventions that shape our perception and use of shared urban spaces.
Mathias WEINFURTER’s (b. 1989, Germany) work is based on familiar structures and materials drawn from everyday and built environments. Grids, fences, and serial industrial forms are removed from their functional contexts and transformed into sculptural objects, shifting attention towards systems of separation and spatial order.
Through layering and subtle displacement, Natalia ZAŁUSKA (b. 1984, Poland) constructs works from cardboard, canvas, acrylic, and pencil, which are cut, folded, and superimposed. Repeated geometric forms establish an order that is continuously interrupted and reconfigured.
Honza ZAMOJSKI’s (b. 1981, Poland) distinctive visual vocabulary consists of drawing, typography and language. Figures, signs, words, and graphic structures recur in changing constellations, creating a personal grammar in which repetition becomes a tool for exploring the relationship between image, language, order, and absurdity.
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